Quote: Jason Schwartzman

March 22nd, 2008
When I first got there, during rehearsals I was changing some of the lines a bit, and Wes Anderson pulled me aside and said, ‘Jason, uh, it took me four years to write this script, so could you please just try to do the words I wrote?’ After that I always just did the words.

Jason Schwartzman, on acting in Rushmore, his first film role.

I read that quote when it was first published in 1999, and I was reminded of it when I noticed that Jason Schwartzman co-wrote Wes Anderson’s The Darjeeling Limited. The irony is delightfully charming.

LOL, Scoble

March 19th, 2008

Rana June pointed me to the hilariously disturbing LOLscobles.com, and I couldn’t help but create the following:

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This is why I shouldn’t know about things.

Quote of the Day

March 9th, 2008
I haven’t been this disappointed in a film that I thought was about bowling since I saw “300.”

The spectacular Peter David, about The Other Bowlin’ Girl.

If I thought there would be as much nudity in The Other Boleyn Girl as there is in The Tudors I would totally go see it, but, sadly, I don’t think that’s the case. I guess between The Darjeeling Limited and Lost in Translation you’ve got pretty much full ass-coverage of both bowlin’ girls, so that’ll have to do.

For now.

‘3:10 to Yuma’ Review

March 5th, 2008

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Speaking of Steve the Pirate, I finally got around to watching 3:10 to Yuma this past weekend, and I can say without hesitation that it is the best film I’ve seen this year. Granted, it’s only March, but still.

The film stars Christian Bale as a down-on-his-luck, one-legged rancher hired to escort Russell Crow, as an unstoppable criminal killing machine, to a train that’ll take him to Yuma prison. Oh, and between Bale and the train is Crow’s gang of also unstoppable criminal killing machines, led by Claire from Sex Feet Under’s creepy boyfriend, who is desperate to have his fearless leader back, in a kinda creepy way. To make matters more awesome, Peter Fonda and the aforementioned Steve the Pirate are helping to transport Crow, and Luke Wilson shows up owning Chinese slaves.

The thing that makes this such a great movie is that it’s really a character piece, with both Bale and Crow playing incredibly complex and deep characters. Crow isn’t your typical villain, and Bale isn’t your typical hero. The film takes the time to really flesh out who these men are and what’s really driving them, and that makes the story really worthwhile. Honestly, I think if Javier Bardem is going to get an Oscar for his role in No Country for Old Men then these two guys should have gotten Oscar nominations, too.

I like the film so much I’m debating sending the disc back to Netflix. It’s a really that great of a movie. If I had to quantify its greatness, I’d say it’s about as great as The Prestige, with a little more character work here, and a little bit of a more awesomeness to the story there (I consider Steve the Pirate and David Bowie a push). It’s that kind of movie. Only more westerny.

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See this movie. I highly recommend it.

Forrest Gump, Sweded

March 4th, 2008
swede \sweeeed\, verb The process of recreating a film in an amateurish, low budget style, with hilarious results. As seen in the film Be Kind Rewind.

There are tons of sweded videos now floating around YouTube, most of which suck completely, with the following version of Forrest Gump being the only exception I’ve found. It is hilarious, entirely due to Russian guy that’s playing Forrest.

[youtube=http://www.youtube.com/watch?v=oHHPyTf7gcY]

The line “OK” has never been funnier.

Nifty Periodic Table

March 4th, 2008

All Web 2.0-y. The table confirms my suspicion that Carbon turns into a liquid at 3840 Kelvin. Sweeeet!

‘Death at a Funeral’ Review

March 1st, 2008

I once read that Alfred Hitchcock characterized the difference between American and British films thusly: a British film can open with a shot of the some clouds, followed by another shot of clouds, followed by a third shot of clouds; if an American film opens with a shot of clouds, the second shot must be of a plane, and if the third shot isn’t the plane exploding you’ve lost the audience.

I’ve found that to be generally true, and I don’t usually like British films that don’t star Keira Knightley. So understand that when I recommend Death at a Funeral, now available on DVD, I’m not doing so lightly.

The film was directed by Frank Oz — who was the voice of Yoda, and therefore totally freakin’ kick-ass — and stars a bunch of uptight British people, a dwarf, and Steve the Pirate. It goes without saying that Steve the Pirate steals the show, but I’ll say it anyway — he steals the motherfucking show!

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The story is about a family gathering together for the death of a loved one. The characters have complex and interesting relationships, and through the course of the day they come to terms with their feelings for each other, and decide what kind of future they want to make for each other. Oh, yeah, and this whole time Steve the Pirate is tripping balls. Seriously, he is tripping the fuck out, which is, as you might surmise, absolutely hilarious.

Yeah, the stuff with the dwarf is really funny too, but seriously, it’s Steve the Pirate tripping balls. I mean, isn’t that all you really need in a film? The film’s plot is fine, but all we need is some setup where Steve the Pirate accidentally ingests a hallucinogenic substance and then proceeds to trip balls, and to that end screenwriter Dean Craig thankfully delivers, and in spades. How this film wasn’t nominated for, or win, every Oscar is beyond me. Clearly, Hollywood does not appreciate movies with Steve the Pirate tripping balls. For shame, Hollywood, for shame.

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But seriously, it’s a hilarious movie with a bit of heart, and I can’t recommend this film more. Hell, this is the first movie I’ve ever pre-ordered, and I’m glad I did because I’ve already watched it twice since. It’s really great.

And did I mention Steve the Pirate is in it, and that he is, in fact, tripping balls? Just so we’re clear.

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Give and Take, Music and Milkshakes

February 25th, 2008

The Macalope is a very funny Mac-centric blog that pays the bills by skewering critics of Apple, usually by way of superior writing and hilarious malevolence, and by eviscerating the usual suspects of tech analysts, usually by way of pointing out how incredibly stupid the entire tech analyst racket is (John C. Welch does the same thing, only with less of the funny and more of the blistering righteous fury).

Unfortunately, the Macalope decided to venture out of his kingdom of humor and snark, and instead tried to skewer Todd Sullivan mathematically (for background see here, here, and here, in that order). Now, reading the Macalope’s post all I could think of was, “fucking idiot,” and then poured myself another highball. You know, whatever. I really don’t care about how much Apple makes, or does not make, on the iPhone, so long as mine keeps working as delightfully as it does.

But, then John Gruber sat at his keyboard and wrote something supremely stupid:

The Macalope on the bogus math behind the claim that unlocked iPhones will cost Apple “$1 billion” by the end of the year. (It’s the same sort of math the music industry uses to estimate how much money bootlegging costs them — based on the assumption that every single bootlegged track would otherwise have been purchased for the full retail price.)

Ah, damnit. That’s not the assumption. There is no assumption.

Let’s look at this another way…

Suppose you own a milkshake place. You make milkshakes. One day after work you make a wonderful strawberry milkshake for yourself, which you set down on the counter top. You turn around to get a some whipped cream and a cherry, to adorn the top of your milkshake, and while your back is turned I come in and I reach over with my straw and I drink your milkshake! I drink it up!

Naturally, you object.

My defense is, “If you hadn’t set your milkshake down on the counter top then I would never have drank your milkshake. So, truly, I’ve done nothing wrong, because you weren’t going to get anything from me anyway. And I, like, don’t even like milkshakes. I’m lactose intolerant. Bitch.”

Except, I drank your milkshake! I drank it up! I now have yummy strawberry milkshake in my belly, and for that you have received absolutely nothing. Win for me. You, not so much. That’s 1 for me, and 0 for you. That is to say, you’ve lost 1 milkshake. A milkshake I was supposed to pay for. A milkshake that tasted real good. I know, because I drank your milkshake!

The music industry is a toilet bowl, but this math is not bogus. People who pirate music are benefiting from the music they’ve downloaded. The hypothetical, “well they wouldn’t have paid for it” is the bullshit. It does not matter. The pirates possess something that they were supposed to pay for, but didn’t. That’s money that’s supposed to be in the pockets of the assholes that run the music industry, but isn’t. The hypothetical is irrelevant. The loss isn’t imaginary when the benefit to the pirate is real.

This is about what’s fair.

(I’m going to stop talking about the music industry now, because talking about fairness in the context of the music industry is obviously ridiculous.)

If I create something, and you take it, it is fair that I am compensated according to what I’ve valued that something at. Recently there’s been a lot of talk about Pixish and spec work. The issue there is the same here: people should not be unfairly benefiting from someone else’s work. An artist does a graphic design and doesn’t get paid for it. Apple creates the iPhone under certain terms and gets stiffed when people unlock it. A writer has every page of her book photographed and posted on the Internet. These aren’t fair.

I realize we now live in a world where it’s ME, ME, ME all the freakin’ time, and that’s exactly what people need to be aware of here. Did I benefit? More importantly, Was I supposed to? If the answer is “yes” and “no,” then there’s a problem.

A quantifiable problem.

You.

Quote of the Day

February 19th, 2008
The problem that we face in America is not a lack of good ideas — it’s that Washington has become a place where good ideas go to die.
Barack Obama, in his victory speech tonight in Texas.

I learned the hard way not to make fun of Washington DC in public, but that quote is just delightful. I have a soft spot for “place where things go to die” humor.

That said, this guy needs to learn when to take his applause and just stop talking. His victory speech was like a half hour long. What the dooce?! You sound good, dude, but not that good. You ain’t no Alec Guinness.

Choice ‘Jumper’ Reviews

February 18th, 2008

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Collected from RottenTomatoes.com:

“Imagine how the world might be changed if people could instantaneously transport themselves anywhere… If you can, you have more imagination than the people behind [this].” – Daniel M. Kimmel, Worcester Telegram & Gazette

That is one of the kinder reviews.

“Given its uninvolving story, uninteresting characters and the presence of half-man/half-tree Hayden Christensen, the movie is wholly dependent on special effects, which I rate only so-so.” – Jack Mathews, New York Daily News

Many critics called Christensen wooden; only Jack Mathews was brave enough to suggest it’s because Christensen’s dad fucked a pine-cone.

“You have to take everything for granted in Jumper, including the idea that Christensen and Rachel Bilson could show human emotions.” – Lawrence Toppman, Charlotte Observer

Ok, now this is fucking funny.

“Jumper, based on the novel by Steven Gould, re-defines — downward — the notion of dreadful. It does so by dispensing with everything a movie needs for a shot at being merely awful.” – Joe Morgenstern, Wall Street Journal

That is to say, Jumper aspires to be The 13th Warrior.

“I can’t see people lining up for a sequel — unless Samuel Jackson’s hair grows out and marches on Tokyo.” – David Edelstein, New York Magazine

Sorry, but that’s the plot for Cloverfield 2.

“Liman’s movie candy is philistine, banal and lacks surrealist thrill. His sci-fi, quasi-political allegory is like an X-Men or Hulk narrative told from the ass end.” – Armond White, New York Press

And keep in mind that Hulk is freakin’ dog-shit.

“So freakin’ awful.” – Richard Corliss, TIME Magazine

That pretty much just sums it up.

And yeah, I still totally want to see this movie!